Aubrey Plaza shows off her considerable talents and range, overcoming a messy script to once again prove her mettle as a formidable dramatic lead.

Pablo Larraín’s latest might lack a substantive core, but it makes up for it with delirious exuberance and a breakout performance from Mariana Di Girólamo.

Brandon Cronenberg’s disturbing dystopian horror shares a vicious precision with his father’s masterworks.

Miranda July’s sly satire explores how capitalism toxifies the family unit and tells a sweet coming out story in the process.

Undine is an elusive film that seamlessly melds romance, politics, and myth, while speaking directly to the anxieties of moving forward from a past you can’t quite escape.

If the sublime Lovers Rock is any indication, then the totality of Steve McQueen’s Small Axe may very well be the cinematic event of the year.

Hong Sang-soo’s latest may appear slight, but packs a good bit of depth, as it explores relationships, friendships, and intimacy.

This epic four-hour tour of Boston’s city government is not just a monument to film editing, but a spry, empathetic, and delightfully sharp dissection of civic life.

Nomadland pays cheap lip service to the causes of American poverty while romanticizing its brutal realities as part of a proud American tradition.